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For the first time, the greater part of Waldrop's media-related tales are brought together in one volume. TV, radio, and movie stories--they're all here, plus a never-before-published novelette.

Your little one will have peaceful dreams of swimming in the underwater world with mermaids and sea life while resting peacefully under the Dream Factory Mermaid Dreams Bed in a Bag Bedding. This set includes comforter, sham(s) and top and fitted sheet. Comforter top is printed light blue ground with underwater colorful swimming mermaids and sea life. Reverses to printed blue scallop stripes that match the sham(s). Included are the light blue trellis sheets to coordinate back to the bedding. Fitted sheet fits up to a 12 mattress. All components are a soft 100% microfiber polyester. Easy care machine washable.

Roooooarrr Embark on a prehistoric adventure with this fun and fierce Dino Blocks complete bedroom ensemble The face of the comforter and the standard knife-edge pillow sham feature large, vibrantly colored T-Rex, Brontosaurus and Stegosaurus dinosaurs, in shades of seaport blue, red, orange and green-yellow, accented with black dinosaur footprints, on a blue ground. The comforter and sham reverse to seaport blue. The easy-care sheets and pillowcases feature random multicolored small tossed dinosaur footprints on a pure white ground. All components are constructed of an ultra-soft, 100% polyester "peached" microfiber fabric and are machine washable.

Add a fun tropical feel to your child's room with this delightful Flamingo bedding ensemble. The comforter and shams feature bright pink flamingos on a light blue ground, accented by floral and paisley motifs. The ultra soft comforter and sham reverse to a solid light blue. A coordinating sheet set showcases small, bright pink flamingos and is constructed of 100% polyester microfiber fabric.

Sleep at your own risk and bring under-the-sea charm to any child's room. This ocean-inspired bedding set features friendly sharks in bright blue hues on a navy blue background. Machine washable for easy care.

Add a fun tropical feel to your child's room with this delightful Flamingo bedding ensemble. The comforter and shams feature bright pink flamingos on a light blue ground, accented by floral and paisley motifs. The ultra soft comforter and sham reverse to a solid light blue. A coordinating sheet set showcases small, bright pink flamingos and is constructed of 100% polyester microfiber fabric.

Super cool Fender book that shows many different custom shop made guitars. 590 pages. Book is used and in very good condition with light use. Cover...

"The Dream Factory" The history of the Fender custom shop coffee table book by Tom Wheeler with foreword by Billy Gibbons. As new. Taken out of the...

This third in a series of hardcover books joins the award-winning titles The Stratocaster Chronicles and The Soul of Tone by author/historian Tom W...

New! This book is in the same immaculate condition as when it was published 0.97

For the first time, the greater part of Waldrop's media-related tales are brought together in one volume. TV, radio, and movie stories--they're all here, plus a never-before-published novelette.

This is the story of what came to be known as the "packaged house," one of the few architect-inspired attempts to manufacture and market a prefabricated home. The plan began in the 1940s as a major collaborative effort between Walter Gropius, then at the height of his fame, and Konrad Wachsmann, a rising star-both in exile from their native Germany. For both men, this was the culmination of many years of experience in the field of industrialized housing and an unparalleled opportunity to make their long-cherished dream of a factory-made house a reality. How did this venture, which seemed to have everything going for it, turn out to be such a dismal failure? The answers to that question make this one of the most fascinating studies in the annals of modern architecture. Gilbert Herbert's analysis of the bold undertaking has within it not only the elements of personal drama, as far as Gropius and Wachsmann are concerned, but it unfolds consequences of more drastic significance for the development of industrially-produced housing the world over. Both architects represented a formidable combination of ability and experience; both had contributed significantly to the theory and practice of prefabrication, and had devised a system that was technically impeccable. That "only a small number of these immaculately conceived and engineered houses was actually sold" was not only a great disappointment for them, it was a grave shock to the whole movement for industrially-produced housing. The facts of the Gropius-Wachsmann case—now fully disclosed with extensive visual documentation—are instructive in themselves. But the real significance of this book lies in its ability to relate the facts to the history of industrialized housing and to the modern architect's confrontation with technological, economic, and social forces.

Book is in NEW condition. 0.51

This is the story of what came to be known as the "packaged house," one of the few architect-inspired attempts to manufacture and market a prefabricated home. The plan began in the 1940s as a major collaborative effort between Walter Gropius, then at the height of his fame, and Konrad Wachsmann, a rising star-both in exile from their native Germany. For both men, this was the culmination of many years of experience in the field of industrialized housing and an unparalleled opportunity to make their long-cherished dream of a factory-made house a reality. How did this venture, which seemed to have everything going for it, turn out to be such a dismal failure? The answers to that question make this one of the most fascinating studies in the annals of modern architecture. Gilbert Herbert's analysis of the bold undertaking has within it not only the elements of personal drama, as far as Gropius and Wachsmann are concerned, but it unfolds consequences of more drastic significance for the development of industrially-produced housing the world over. Both architects represented a formidable combination of ability and experience; both had contributed significantly to the theory and practice of prefabrication, and had devised a system that was technically impeccable. That "only a small number of these immaculately conceived and engineered houses was actually sold" was not only a great disappointment for them, it was a grave shock to the whole movement for industrially-produced housing. The facts of the Gropius-Wachsmann case—now fully disclosed with extensive visual documentation—are instructive in themselves. But the real significance of this book lies in its ability to relate the facts to the history of industrialized housing and to the modern architect's confrontation with technological, economic, and social forces.

Hardcover: 384 pages Publisher: Mira (February 1, 2002) Language: English ISBN: 1551668742 Product Dimensions: 9.6 x 6.4 x 1.2 inches From the venerable star of Hitchcock's Psycho comes a saccharine, painfully overwritten roman clef spa"

The all-encompassing mass culture of today is not an invention of the late 20th century. Contrary to what might be assumed, given the capitalist under- and over-tones of contemporary mass media, our visual culture has its roots in the totalitarian regimes of the 20s and 30s. Back then, the main venue for visual communication was the reproduction and circulation of pictures via posters and films. Fascism and communism made radical use of these new opportunities for the consistent transformation of culture, even to the point of co-opting such traditional media as painting and sculpture. The centrally organized Soviet mass culture of the Stalin period is one of the foremost example of these highly effective propaganda machines. Beginning with the late realist works of Kasimir Malevich, Dream Factory Communism presents the macrocosm of Soviet art in the Stalin era--still little known in the West--as a unified aesthetic phenomenon that transcended individual media. The later works of Soz-Art, a style in which characteristics of socialist realism are combined with Pop Art, provides a running visual commentary and a critical take on the aesthetics of totalitarianism. The inclusion of works by contemporary Russian artists such as Erik Bulatov, Ilya Kabakov and Komar & Melamid marks the chasm that separates today's artists both aesthetically and politically from their predecessors.

The Dream Factory joins the award-winning series of hardcover books by author/historian Tom Wheeler, including The Stratocaster Chronicles and The Soul of Tone. This look behind the doors of the Fender Custom Shop features hundreds of full-color photos of collectible and limited edition hand-crafted guitars. Learn the fascinating tale of the acclaimed Custom Shop and its illustrious artisans. The Dream Factory includes many one-of-a-kind custom masterpieces and reproductions of acclaimed instruments such as Eric Clapton’s “Blackie,” Jimi Hendrix’s Monterey Strat and Stevie Ray Vaughan’s No. 1, as well as behind-the-scenes looks at how they're created.

Hardcover. With unparalleled behind-the-scenes access to academies at all levels of English football, The Dream Factory: Inside the Make-or-Break World of Football's Academies is a journey deep into the heart of youth football, revealing in gripping detail how home-grown Premier League stars such as Marcus Rashford and Trent Alexander-Arnold are created, and at what cost.The Dream Factory introduces a rich array of characters - players, coaches, directors - behind talent production lines at several Premier League clubs, including Manchester United, Liverpool and Manchester City, zooming in on the stories of Alexander-Arnold's unique development, how Rashford's sense of social responsibility was nurtured, and how Phil Foden has become a beacon to City's young hopefuls. The Dream Factory provides the most intricate, intimate and all-encompassing insight yet into the machine of football's academies, and everything it spits out in the process, going behind the scenes of to lay bare the genesis of football's next generation of stars. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

The all-encompassing mass culture of today is not an invention of the late 20th century. Contrary to what might be assumed, given the capitalist under- and over-tones of contemporary mass media, our visual culture has its roots in the totalitarian regimes of the 20s and 30s. Back then, the main venue for visual communication was the reproduction and circulation of pictures via posters and films. Fascism and communism made radical use of these new opportunities for the consistent transformation of culture, even to the point of co-opting such traditional media as painting and sculpture. The centrally organized Soviet mass culture of the Stalin period is one of the foremost example of these highly effective propaganda machines. Beginning with the late realist works of Kasimir Malevich, Dream Factory Communism presents the macrocosm of Soviet art in the Stalin era--still little known in the West--as a unified aesthetic phenomenon that transcended individual media. The later works of Soz-Art, a style in which characteristics of socialist realism are combined with Pop Art, provides a running visual commentary and a critical take on the aesthetics of totalitarianism. The inclusion of works by contemporary Russian artists such as Erik Bulatov, Ilya Kabakov and Komar & Melamid marks the chasm that separates today's artists both aesthetically and politically from their predecessors.

Book is in NEW condition. 1.01